andrea sdeja

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

luni, 7 mai 2012

Character-Rich Staging

Posted on 23:44 by Stephanie

It was Frank Thomas who said that if you have two characters in one scene who think alike, you have a problem.
Of course he is right, it is the contrast in what the characters are thinking that brings a scene to life.
Here are a few examples done by different animators that help illustrate the point.




Fred Moore scribbles down his poses as easy as handwriting. 
Simple action lines that communicate instantly. (This scene was not used in production). Here Jose Carioca introduces himself as a parrot with an attitude that says, Don't you get it? The Gouchito seems doubtful, his hand covering his mouth. He is thinking this over.




In this animation drawing Marc Davis depicts Maleficent and her raven with an almost equal attitude. Yet there is a subtle difference. Maleficent was  about to leave the royal scene when the queen addresses her again. The bird though keeps his eye contact toward the king and queen, he seems even more hateful and disgusted than the witch.
Note all the spiky shapes in the design, even in the raven's wing feathers. This is a couple to reckon with.




Baloo is about to demonstrate to Mowgli what a big bear growl sounds like. In this Frank Thomas scene he is leaning back in anticipation of a big move toward the boy. Mowgli is curious and his attention is with Baloo. He doesn't know what to expect next.
A "friendship building" moment. 





Ollie Johnston animated this scene with Penny and Rufus, the old cat. 
Penny is staged back view, and we don't see her face, but her body language signals resigned sadness very clearly. Rufus approaches her from screen right and tries to offer some comfort.
One character in need of affection, the other one intending to help emotionally.




This is a somewhat unfinished animation rough by Milt Kahl. 
Penny is trying to resist Snoop's forceful pull, she doesn't want to search for that diamond. Snoops is lecturing her one last time before lowering her down into the cave.
His body mass and strength overpowers Penny, who is brave enough for trying to stand firm against this bully.

It's still so much fun to learn from the masters. Every step of the way they make you think about personality.
Trimiteți prin e-mail Postați pe blog!Trimiteți pe XDistribuiți pe Facebook
Posted in | No comments
Postare mai nouă Postare mai veche Pagina de pornire

0 comentarii:

Trimiteți un comentariu

Abonați-vă la: Postare comentarii (Atom)

Popular Posts

  • Miss Audley
    Before I start I would like to tell you that I am going to give a talk at the Pixel Animation Festival in Vienna this October. I'll be t...
  • Heinrich Kley was crazy...
    …in the best sense of the word! He was a compulsive draughtsman, and it seems that any white blank surface, however small, called out to him...
  • The Sheriff of Nottingham
    The process of visual development for a Disney character during the 1970ies involved only a few steps compared to much earlier Disney films....
  • Heinrich Kley's Reynard, the Fox
    The stories about Reynard the Fox go back hundreds of years. There are French, German and Dutch versions, who all portray the character as s...
  • Marc Davis Roughs
    Last year I posted some of Marc Davis' color designs for the unproduced feature Chanticleer. Here are a few of Marc's rough characte...
  • Bambi Vis Dev Art
    In their 1990 book Bambi, The Story and the Film, Frank and Ollie don't identify the artist who produced these magnificent poetic render...
  • Eric Larson
    Here are three examples of Eric's work. The first one is Pedro from "The Flying Gouchito". Frank Thomas animated most of this ...
  • Busch Spot Illustrations
    Wilhelm M. Busch captures a specific mood or situation with an economy of lines in these charming small size drawings. They were published i...
  • Brenda E. Spender
    I have a couple of books illustrated by Brenda E. Spender, the following images are from "Important People" from 1930. Her work ha...
  • Animal Sketchbook
    Here are a few samples from my animal sketchbooks. As much as I enjoy drawing at the zoo, I find it absolutely essential to draw also from T...

Blog Archive

  • ►  2014 (99)
    • ►  august (4)
    • ►  iulie (15)
    • ►  iunie (8)
    • ►  mai (15)
    • ►  aprilie (14)
    • ►  martie (15)
    • ►  februarie (13)
    • ►  ianuarie (15)
  • ►  2013 (163)
    • ►  decembrie (14)
    • ►  noiembrie (14)
    • ►  octombrie (16)
    • ►  septembrie (14)
    • ►  august (8)
    • ►  iulie (14)
    • ►  iunie (14)
    • ►  mai (14)
    • ►  aprilie (12)
    • ►  martie (17)
    • ►  februarie (12)
    • ►  ianuarie (14)
  • ▼  2012 (137)
    • ►  decembrie (11)
    • ►  noiembrie (11)
    • ►  octombrie (14)
    • ►  septembrie (11)
    • ►  august (14)
    • ►  iulie (12)
    • ►  iunie (10)
    • ▼  mai (11)
      • Beauty Moment
      • The Wizard's Duel
      • Chanticleer
      • Ferdinand and Matador
      • A Lesson from Frank Thomas
      • Wildlife in Wire
      • Merlin in Wire
      • Another Color Kley
      • Character-Rich Staging
      • Madame Bonfamille
      • Guess who?
    • ►  aprilie (10)
    • ►  martie (10)
    • ►  februarie (11)
    • ►  ianuarie (12)
  • ►  2011 (91)
    • ►  decembrie (11)
    • ►  noiembrie (12)
    • ►  octombrie (7)
    • ►  septembrie (13)
    • ►  august (14)
    • ►  iulie (14)
    • ►  iunie (20)
Un produs Blogger.

Despre mine

Stephanie
Vizualizați profilul meu complet