andrea sdeja

  • Subscribe to our RSS feed.
  • Twitter
  • StumbleUpon
  • Reddit
  • Facebook
  • Digg

marți, 24 ianuarie 2012

Post #100, Old Portfolio Stuff

Posted on 19:17 by Stephanie
100 posts, how times fly.
It feels like I just started blogging, a sign that I am having fun, I guess.

I want to clarify a couple of things:
I do apologize for not having accepted any invitations to join some of you on a variety of social networks. Absolutely nothing personal, but I just don't have the time right now. Maybe in the future some time.
Also, just because I showcase the work of Disney's great animators as well as some of my own stuff from time to time does not mean that I put my work on to their level. These guys were in a class by themselves, and that's that!
But since a lot of you are students and probably grew up with some of the films 
I worked on, having the occasional "Behind the Scenes" post and talking about those movies might be of interest to some of you.
For the classical Disney animation purist, rest assured, there will be plenty more
"Nine Old Men" gold coming this way.

I selected these drawings from my Disney application portfolio.
They date back to 1978/79.
Life drawings, animal sketches, motion studies from Super-8 film and cartoon experiments, where I tried out different styles. (Second to the last)
I keep hearing my life drawing teacher from way back saying: " If you get too confident with your drawing, try sketching with your other hand (to keep learning)."
That sounded funny at first, but it makes sense. What he meant was: don't show off with what you think you know, keep observing and improving instead.

I think if you know how to draw well,  you own something treasured. It shows that you put quality time into observing and trying to understand things.
And it doesn't matter if you are a pencil animator or if you work in CG, good drawing will help you to visualize so much better, and you will be ahead of the game.
In other words, you will know a bad pose from a good one. You will be able to say:
this hand looks awful, but that one looks great. And combined with your acting sensibilities: this is entertaining, that isn't!
This journey to become a good draughtsman is a lot of fun, but of course you never arrive. Hopefully you'll just keep on learning.

My five cents worth of wisdom for the day, here are a bunch of oooold drawings.






















Trimiteți prin e-mail Postați pe blog!Trimiteți pe XDistribuiți pe Facebook
Posted in | No comments
Postare mai nouă Postare mai veche Pagina de pornire

0 comentarii:

Trimiteți un comentariu

Abonați-vă la: Postare comentarii (Atom)

Popular Posts

  • Miss Audley
    Before I start I would like to tell you that I am going to give a talk at the Pixel Animation Festival in Vienna this October. I'll be t...
  • Heinrich Kley was crazy...
    …in the best sense of the word! He was a compulsive draughtsman, and it seems that any white blank surface, however small, called out to him...
  • The Sheriff of Nottingham
    The process of visual development for a Disney character during the 1970ies involved only a few steps compared to much earlier Disney films....
  • Heinrich Kley's Reynard, the Fox
    The stories about Reynard the Fox go back hundreds of years. There are French, German and Dutch versions, who all portray the character as s...
  • Marc Davis Roughs
    Last year I posted some of Marc Davis' color designs for the unproduced feature Chanticleer. Here are a few of Marc's rough characte...
  • Bambi Vis Dev Art
    In their 1990 book Bambi, The Story and the Film, Frank and Ollie don't identify the artist who produced these magnificent poetic render...
  • Eric Larson
    Here are three examples of Eric's work. The first one is Pedro from "The Flying Gouchito". Frank Thomas animated most of this ...
  • Busch Spot Illustrations
    Wilhelm M. Busch captures a specific mood or situation with an economy of lines in these charming small size drawings. They were published i...
  • Brenda E. Spender
    I have a couple of books illustrated by Brenda E. Spender, the following images are from "Important People" from 1930. Her work ha...
  • Animal Sketchbook
    Here are a few samples from my animal sketchbooks. As much as I enjoy drawing at the zoo, I find it absolutely essential to draw also from T...

Blog Archive

  • ►  2014 (99)
    • ►  august (4)
    • ►  iulie (15)
    • ►  iunie (8)
    • ►  mai (15)
    • ►  aprilie (14)
    • ►  martie (15)
    • ►  februarie (13)
    • ►  ianuarie (15)
  • ►  2013 (163)
    • ►  decembrie (14)
    • ►  noiembrie (14)
    • ►  octombrie (16)
    • ►  septembrie (14)
    • ►  august (8)
    • ►  iulie (14)
    • ►  iunie (14)
    • ►  mai (14)
    • ►  aprilie (12)
    • ►  martie (17)
    • ►  februarie (12)
    • ►  ianuarie (14)
  • ▼  2012 (137)
    • ►  decembrie (11)
    • ►  noiembrie (11)
    • ►  octombrie (14)
    • ►  septembrie (11)
    • ►  august (14)
    • ►  iulie (12)
    • ►  iunie (10)
    • ►  mai (11)
    • ►  aprilie (10)
    • ►  martie (10)
    • ►  februarie (11)
    • ▼  ianuarie (12)
      • Ollie's Three Fairies
      • The Pongo Muzzle Issue
      • Dalmatians
      • Post #100, Old Portfolio Stuff
      • Berlioz
      • Marc Davis "Song of the South" Doodles
      • Jungle Girl
      • Gaston Pencil Tests
      • Ronald Searle
      • An Autograph but no Drawing from Milt Kahl
      • Brenda E. Spender
      • Staging Pongo and Perdita
  • ►  2011 (91)
    • ►  decembrie (11)
    • ►  noiembrie (12)
    • ►  octombrie (7)
    • ►  septembrie (13)
    • ►  august (14)
    • ►  iulie (14)
    • ►  iunie (20)
Un produs Blogger.

Despre mine

Stephanie
Vizualizați profilul meu complet